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Various filmmakers throughout the past century have subsequently explored the idea of “stop-motion” as a cinematic aesthetic. Muybridge famously published Animal Locomotion in 1887: comprised of 781 prints and begun in 1878, the 11-volume project was conceived of as an experiment into the ability to photograph and “stop” (or freeze) motion. Cinema’s beginnings truly commenced with the English-born American photographer and artist, Edward Muybridge. It has come a long way from its humble beginnings in the late 19 th century with Thomas Edison and William Kennedy Laurie Dickson’s invention of the Kinetograph and Kinetoscope, to George Melies’s early foray into cinematic production with films such as A Trip to the Moon (1902), and eventually into the glamorous Hollywood version of cinema popularised in the 1920s which has continued to evolve into its present prolific state. Since the invention, or discovery, if you will, of the moving image, audiences around the world have not ceased to be confounded, delighted and entertained by television and film.
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A massive retrospective bringing together hundreds of artworks and film-related objects tracing the trajectory of Tim Burton’s creative imagination.